Friday, 14 August 2015

How do you manage your scraps?

I think my scrap stash is getting out of hand. I needed to empty my scrap bag as a project I was working on called for some white scrap pieces. I knew I had 'some' white pieces but I didn't think I had lots of them. As I sat on the floor going through my scraps I realised I could make some really cool quilts with the combos I accidentally happened to have now from years of making different quilts with different fabrics. The only problem with scrap though is that they are all different sized pieces and can take a really long time to cut your fabrics to useable sizes or specific sizes.

Another thing you need to factor in are the amount of UFO's most quilters have at any given time. First the quilter needs to finish these before they can even think about starting a scrap quilt. I now have a large black refuge bag full of different size scraps.
I have decided to start collecting my scrap into sized pieces. I loved Erins June Bee block for being able to use up similar toned fabrics and Angelas April block for making an easy secondary design. I know I am definitely going to make a few string quilts anyway as they really are a great way of using up your scrap. I don't think I would have the patience for a postage stamp quilt, although I can certainly appreciate that is is a great way of using up all your smaller scraps.
Can you think of any other easy cool modern quilt patterns that lend themselves well to small scrap pieces?

I know I could get quite a few improvisational quilt patterns going too which is a great way to get the creative juices flowing although I have been known to spend a few hours on an improv piece only to look at it and laugh and ask what I was thinking! I don't mind doing these things though even if they are a waste of time because sometimes if you are lucky they can become something wonderful.
My only downside to hoarding scrap fabrics is that I am not a hoarder. A quilter that is not a hoarder! I hear you say. I like to 'collect' fabric, but neat bundles, and collections and precut's of fabrics not a big messy blob of scraps that look awful. I have certain fabric which I'm sure some of us can confess to that I am just not willing to ever cut because it's just too pretty. My big black sack of scrap is not pretty to look at and it makes me feel cluttered but the truth is every quilter has to have a bag of scrap. It is a must have, much like our rotary cutter. I just wish it only took up as much room as my rotary cutter did.

-Liz

Wednesday, 12 August 2015

Giveaway Winners

A little later than scheduled but......... drumroll please......

Mr random number generator picked the winner of the YouPatch pattern:


Congratulations Cheeky Monkey. I'll send you an email with details of your prize.


We went old school for the Kona tote bag winner. In the absence of Stokes Kennedy Crowley the results were adjudicated and independently verified by the teenager.  Congratulations Anna- you were the first name drawn!!



I wish we had more prizes to give away- turns out having raffle draws are an excellent summer holiday activity. 

Saturday, 1 August 2015

Modern Irish Bee - August blocks for Helen!

Hasn't this come around quickly? In the blink of an eye it is my turn to be Queen of Sheba, sorry Queen Bee. This is the end of July as I write this,  and of course it is raining, pouring and we are all on holidays. And what do we do we do on holidays.....?

Sun, sea and ............. take photos of course.

remember the old brownie box cameras?

Years ago the camera was saved up for high days and holidays, now we all have I phones or smart phones and this is the year of the selfie. Or maybe it was last year, I avoid selfies, I seem to age 10 years and gain 5 stone, or age 5 years and gain 10 stone in a selfie.



  In any case I want photos to be the bee square of my choice. Polaroid photos, or I phone photos if you prefer.

my finished 12.5" block
I've been wanting this for a while, and hoping no one else jumped in.

I messaged @bossyoz having admiring her polaroid squares on instagram.  She had made her squares as part of her scandibee and contacted her Queen Bee Sigrun. Sigrun gave permission for me to attach her word document and link to the tutorial she used. This is the link to the tutorial she, and now I followed from Capitola Quilter. (unfortunately I can't link up Sigrun's word document, but thank you Sigrun). You might find it easier to follow that tutorial than my interpretation. The group have a very active flickr group, follow this link to check out their photos for inspiration. You can also check them out on instagram #scandibee

Firstly a few guidelines.

I would like you to make me 2 squares, each 12.5", that is 12" square plus seam allowances.
I would like the background to be a solid kona type fabric. I don't mind what colour, feel free to mix the colour background as long as they are from the same base colour, ie light pink, mid pink etc.

I don't mind how many photos are in each 12.5" square, you can have 1 large photo, 4, or 9 as I have. I know time is short and precious, I don't expect you to make 9 photo squares, just because I did. It was just my fabrics lent toward that.

The photos can be straight or tilted, slightly up or slightly down in position
The actual photo can be a square polaroid shape or an oblong shape like an I phone. Just remember to keep the bottom deeper than the sides and top.

The photos can be of anything. Mine are themed. Yours can be whatever you want, themed or random. An animal, a household object or even an abstract concept. Whatever you want. The more variety the better.

I would like you to sign the bottom of one of your photos, either stitch or write your name

Now, the method

these instructions are for 9 photos in a square

cut 9 x 2.5" fussy cut, that means a 2.5" square cut so that the design is the focus, centred and hopefully in its entirety.

how to and how not to fussy cut

cut 1" white strip, wof (width of fabric) or scraps for the sides and top
cut 1.5" white strip, wof for the bottom


as Jesse J sings, everybody move to the left - chain sew the left side of  the 2.5" squares to the 1" strip of fabric, scissor cut and press to the dark side
as Jesse J sings, everybody move to the right - chain sew the right hand side of the 2.5" squares to the 1" strip, scissor cut and press to the dark side.




chain sew a 1" strip to the tops of the squares, trim and press as before
chain sew a 1.5" strip to the bottom of the squares, trim and press to the dark side

your squares should now measure roughly 3.5" by 4". Now we trim them to a width of 3" and a depth of 3.5". I used the 1.5" point on the ruler to line up with the middle of the fussy cut. Measure the depth remembering to keep the bottom white bit the deepest. As long as the overall dimensions are the same, and the bottom is the deepest, the photos don't have to be uniformly centred. Remember variety is good. Why do we trim so much fabric off? We want to keep the white crisp and narrow and it is easier to stitch a broader piece of fabric and trim down then stitch a narrow piece.



Now we move on to the fun bit. (?) We need to add the background. This is where it all becomes a bit looser and more free expression, and maybe a little confusing. We want this white squarish piece of fabric to end up as a 4.5" square, so we make it bigger to 5" x 5.5" by adding borders and then trim down to the required size.  This is to give us enough fabric to allow us to tilt it whilst keeping the white corners. Or to place it high up, or low down, whatever takes your fancy. If you have loads of solid  and want to tilt, then use 2.5" borders, if you are keeping yours straight and are a careful cutter or are feeling parsimonious then you can use 2" borders.


So, cut your borders and sew on the sides first, then the top and bottom. A word of warning. I used a fq and chain sewed all the sides, I quickly realised I wasn't going to have enough fabric, so a little creative unpicking, cutting and sewing was needed. Those with skimpier borders became the "vanilla" squares, the straight up and down evenly centred squares. Those with more generous borders were tilted, and those without any borders were sewn with a deeper pink border.


To tilt the square, I found the best way was to use a square ruler. Make sure the white border is all enclosed in the square. Cut the first angle, then leave the fabric where it is and turn the board to cut the other sides. If you do inadvertently trim off a white corner, don't worry, use it anyway.



When you have trimmed your 9 squares down to 4.5" squares, sew them in 3 rows of 3. Then attach the middle row to the top row and third row on the bottom. Just try and butt up the seams where it seems appropriate.



C'est Finis. Now you have a square which hopefully measures around 12.5"
If you have any hair left on your head and are feeling generous, it would be fantastic if you could send me an extra fussy cut. I can make these into photo squares to create a fantastic random effect. I'll write your name in the corner of this for you.

If you use 4 photos, I suggest you aim for 4 squares each 6.5", which when sewn together should make 12.5".

My macaroon square has photos of macaroons which were fussy cut smaller at 2" to take advantage of the delicate picture. These still end up at 4.5" square, they just have bigger borders.  In fact, they look more like the old slides that were on the go in the 1970s, I like that too.


I had admired this macaroon fabric when Vivienne of greenrabbitdesigns used it as dress fabric for one of her gorgeous bunnies. Vivienne was kind enough to send me some. I do love macaroons, I've eaten loads this summer.


I'm also working on some Liberty flower squares. I love Liberty fabric, flowers and  gardens.
I'm also sewing some Japanese based photos, I seem to be drawn towards all things Japanese this year.

And what of the Queen of Sheba? Well ............ when I was married 30 years ago, I wanted to walk down the aisle, or walk up the aisle (I was flexible) to the March of The Queen of Sheba by George Friedrich Handel. It was played often in our church as the congregation left. Anyhow, our organist vetoed it, she asked me, who do you think you are? The Queen of Sheba? Apparently I had to remember I was in God's house and walk down the aisle in a humble, modest manner befitting the occasion. No Bridezillas in our church! Now, if I wasn't going to be the centre of attention the day I married, when would I be? Of course I wanted people to look at me, I was the bride! There was no movement on this at all, the Queen of Sheba was no go. So, do this one thing for me. Go listen to the March of the Queen of Sheba on youtube, and come back and tell me how much you like it.

One last thing, my husband says I should mention the most important bit, how he wanders around the house picking up stray threads and bits of fabric. He has a hard life.

Lastly, thank you everybody and I can't wait for the postman to start delivering!

Helen x

Monday, 27 July 2015

Giveaway Time!!

It has been a while since we had a little giveaway and our lovely friend Penny at National Quilt Week has given us not one but TWO awesome prizes.

Following from Ruth's post on pixel quilts our first giveaway is a free pattern from YouPatch. To be in with a chance of winning this prize simply leave a comment below telling us what kind of pixel quilt you would like to make. I'll pick a winner next Monday, 3rd August.

Our second giveaway is confined to all those who took part in our Exhibition. Penny sent us over a Kona 30th anniversary tote bag all the way from Quilt Market (!) to give away to one of the exhibitors. Thanks to Paula for being our courier, and to all of those who exhibited and made it such a huge success.






You don't need to do anything to enter- all the exhibitor's names will be put into a metaphorical hat and a name will drawn out next Monday. 

Good Luck

xxFiona






Tuesday, 7 July 2015

Exploring Pixel Quilts

Ever wanted to make a pixel quilt? There is something really fun about recognising a shape from squares. The brain is amazing at making sense of changes in colour and contrast and every pixel quilt I’ve seen has made me smile!
Baby Penguin

I first came across pixel quilts when I saw Monica Solario Snow’s Ron Swanson quilt. Now I had no idea who Ron Swanson was but I thought the idea of making a portrait quilt from squares could be fun. A lot of others enjoyed this quilt too and it has gone on quite a tour – see The Happy Zombie’s page for some photos of Ron travelling about the place. Ron Swanson is a character in Parks & Recreation according to Wikipedia! I’ve never seen the program but the reaction to one of the characters in quilt form on the net makes me think I’m missing out!

Mum in lots of pixels on left and less on right!
Faces do make great subjects for pixel quilts. Kerry @ Pennydog has made a brilliant Stephen Fry quilt and the portrait quilt of David Tennant as the Tenth Doctor Who is well worth a look here on St. Louis Folk Victorian.

Coming up with a plan for a pixel quilt can be a bit daunting. Where do you start? There is always the option of colouring pencils and graph paper but most people use cross stitching software.

Kirsty at St. Louis Folk Victorian used a free program called Pic 2 Pat to create the plan for her Doctor Who quilt. This is also recommended by Caro Sheridan in the free Craftsy Class Pictures to Pixel Quilts. In this free class Caro gives advice on choosing an image, de-cluttering the background and using photo editing software and Pic 2 Pat to make a pixelated image.

Pic 2 Pat is designed for cross stitchers so there are options for stitches per inch and canvas size. Depending on how big you want your quilt you can play around with these options. I chose 8 stitches per inch and used 8.0 x 5.0 as a starting point to generate these images. Once you have chosen your size it pixelates the image and gives you options on the number of colours. The more colours the greater realism but the more expensive your quilt and the more piecing involved. Anywhere from 8 to 15 colours is good for a starting point.
Too many colours & detail for a quilt?
If you follow the Craftsy class the whole way through Caro Sheridan shows you how to use a Google docs spread sheet or Excel to redraw your design and set up the spread sheet to calculate your yardage and cutting plan for you. You may want to watch this more than once and work through an example while watching the videos. I must admit I fell asleep twice trying to watch this on my tablet!

Kirsty used DMC colours, for Doctor Who, to generate her pattern and then, went to the craft shop and bought one skein of each embroidery thread colour and used that against a Kona colour card, to figure out what fabric to buy. Rather than mess around with the maths, she started with a bundle of each colour and added to it as she was running out. Leftovers went into stash! I like this improvised make do and not overly complicate it approach!

Alida at Tweety Loves Quilting is running a series of tutorials called Stretch you Skills (SYS2015) and one of the tutorials by the Bored Zombie outlines step by step how to chose an image and pixelating it with KG-Stitch. This is not a free program but Shareware which means you can use it free for 30days and then expect to pay approximately 30dollars for a software licence. The great thing about this software and a reason you might want to consider paying for it, is it will count the numbers of squares per colour in your design for you. You can decide how big you want your squares and thus your quilt and multiply the quantity by size to start calculating your yardage.

Andi from PatchAndi has created an online program to do all of this work for you. It's called YouPatch and it is free to play with, pixelating your image and even offers a re-colouring or touch up editing function. To download the pattern you have to pay $9.50 per pattern.

Once you open the pattern, you get a full page image of your quilt, a diagram showing how the pattern has grouped your colours and a block by block layout. Fabric yardage is calculated, as is cutting instructions by colour, all based on Kona fabric so it is easy to find or substitute if you have a Kona colour card. Andi even gives you a cutting chart from yardage for all your pieces. The pattern is well laid out and offers a lot of content.

It does come with a Licence section right at the beginning, advising the pattern is for personal use only, and if you want to make more than 1 or 2 quilts you need to contact YouPatch for a licence. It is quite common for patterns to have a personal use only clause, some will have a limit of what is considered normal for 1 person to make (e.g. 25 a year), others don’t specify. I emailed Andi about this limiting the use to 1 or 2 for more explanation. Andi was super fast in her reply and explained as follows:
“The license we provide with our patterns assumes "personal use". We understand that occasionally people will make a commission or two from our patterns and that's OK. But what we want to avoid is someone purchasing a pattern from us and using it to produce commercial quantities of quilts for sale, without reaching an appropriate commercial arrangement with us. If in doubt, we encourage customers to get in touch and have a chat with us. We like to think we are pretty reasonable folk.”
When in doubt, it is always a good idea to ask the question and if you want more information Andi can be reached through the YouPatch contact page. For more info on copyright see this excellent blog post over at While She Naps.

So which would I use? Well, I tried 3 different methods to make a plan for this image of our Jack Russell Terrier Charly. (I took this photo on holidays in Kilkee a few years back and it’s one of my favourites of her!)

Initially I uploaded the image to YouPatch and Pic2Pat and found that the background was throwing off the pattern making a bit. YouPatch allows you to re-colour and it seemed the most affected so I spent a bit of time playing with that and then thought this is going to be huge and will take forever, so I thought about taking the background out. YouPatch very kindly gives an estimation of time to make your design and this was 70-92hrs!

YouPatch on left, Pic2Pat on right
Removing the background and simplifying again gave this.
Again YouPatch on left and Pic2Pat on right!
An uncluttered clean background helps a lot when planning your quilt and means less piecing! You can remove the background of your chosen subject by painting over it with MS Paint, or removing it with a photo editor like Photoshop, or the free web program Pixlr editor.

Finally, after using both programs I decided to give it a go myself. Opening the image in Photoshop and resizing to 72 pixels x 96 wide gave me a tiny photo (figuring 1” squares per pixel).

Zooming in gives you the pixelated look as resizing has removed a lot of detail. Turning on the grid and setting it to major every 8 pixels with 8 divisions gives me a grid 1 pixel in size. I took a screen shot and pasted it into excel. Making the excel columns and rows match at 30 pixels gave me a square grid and I resized my image so the image grid and the excel one lined up. Then i was able to print my plan 8 squares x 8 to create my blocks.
To figure out my colours I could go trial and error off a Kona colour card or go to Playcrafts and use their palette builder to pick out Moda Bella or Kona colours from my image. You can import Kona swatches into illustrator and re-paint your image with them too if you really like. To be fair pixelating an image from a photo is going to have way more than 15 colours and really needs to be simplified a bit like the other patterns!

Any which way you look at it, it’s a lot of work to make a pixel quilt, which makes me more appreciative of those Kerry and Kirsty made above. Keep the image simple, eliminate the background if you can, seems to be the way to go for the least amount of time involved. If all of this puts you off but you love the idea of a pixel quilt, Andi offers a custom service on YouPatch where you can pay her to create your pattern for you from your own photo. The standard rate is $30.
So what do you think?  Think Charly should be immortalised in fabric or maybe taken for a walk instead? I know which she’d prefer!
-Ruth

Wednesday, 1 July 2015

Modern Quilters Bee - JULY 2015 - Cynthia



Hello there all you busy Bees! 
 
It’s great to have the opportunity to be a BEE in the Modern Quilters Guild as I’ve never, ever been a BEE before!! No - really!

I’m quite new to quilting, although I sewed and attacked fabric fearlessly and creatively from a very young age. My mother was the resident stitcher and although I wasn’t always “doing it the right way”, I managed to make my teenage fashions in the 60’s & 70’s. Now there! I’ve given away my age. Fabric shops back then were my Aladdin’s cave and Haberdashery was the Crown Jewels! I now have time and space to indulge this passion since I discovered quilting in 2012 and I am fascinated, addicted and eager to learn.

For July, I’m keeping it quite simple and so we’re doing a Disappearing Nine Patch, which gives a wonderful impression of complexity with very little effort. There are lots of videos and tutorials on the internet but I suspect the 9 patch is not new to most of you! Look out for Eleanor Burns short YouTube tutorial called Tossed Nine Patch and a host of ideas from others including Missouri Star on uses for this very versatile quicky block. Any questions.........drop me a message anytime.

I’ve sent all you bees two orange 5” squares for this project, so here goes.............
1 
1 Fabric Requirements (for 2 x 9patch blocks):
Raid your stash, beg or steal - black and white prints only –
no solids to be used and no other colours EXCEPT
2 x 5” orange squares from Queen Bee!!
8 x 5” black squares (with white print)
8 x 5” white squares (with black print)


MY CHOICES
342

5 2 Choose a pleasing layout BUT in both blocks
Orange must be in centre position.
Darks must be in corners (which won’t be cut)
Lights must be in between as shown.
There may be symmetry or not – its up to you!
AND The two blocks do not have to be identical – look at my examples.


63 Sew each row of patches together with ¼” seams.
Press top and bottom row seams towards the dark squares
Press centre row seams towards the ORANGE square


74 Join the rows horizontally making sure to NEST the seams together carefully.
Press the horizontal seams away from the ORANGE centre row towards row 1 & 3 as shown
This completes the 9 patch block assembly and NOW COMES THE FUN PART!


85 When the 2blocks are assembled the centre orange square measures 4 ½”
Carefully cut through the EXACT centre horizontally and vertically (2¼” from the side of the orange square, lining up the ruler as shown.9

 
106 Separate the four mini blocks – each of which now measures 7”
There are lots of YouTube videos illustrating various layouts and the effects of using different colour combinations!

 
117 Lots of different layouts are possible BUT your work is now done, except for popping your eight little blocks in the post to me. I’m BUZZING to see all your exciting creations my little honeys!
BIG THANKS!12

Monday, 15 June 2015

OMG Quilts!

There is a sub-genre, not  quite a spin off but a group that makes a variation of quilts within the Modern Quilt Movement called OMG – Organic Modern Quilts. 
Image used with the kind permission of Helen Godden.  source: Facebook
Image used with the kind permission of Helen Godden.  source: Facebook

On the group Facebook page an analogy is used to describe the group aesthetic.  To understand pink you need to understand red.  To understand OMG quilts you need to understand the Modern Quilt aesthetic.

We use the original Modern Quilt Guild description on our blog which is a very loose, all encompassing, more of a guideline really (Captain Jack Sparrow anyone?) that includes :
  • Primarily functional rather than decorative quilts
  • Use asymmetry in quilt design
  • Rely less on repetition and on the interaction of quilt block motifs
  • Contain reinterpreted traditional blocks
  • Embrace simplicity and minimalism
  • Utilize alternative block structures or lack of visible block structure
  • Incorporate increased use of negative space
  • Are inspired by modern art and architecture
  • Frequently use improvisational piecing
  • Contain bold colours, colour combinations and graphic prints
  • Often use grey and white as neutrals
  • Reflect an increased use of solid fabrics
  • Focus on finishing quilts on home sewing machines
Weeks Ringle from the Modern Quilt Studio describes Modern Quilting as
“Modern quilting is about making quilts that are expressive of the times in which we live.”
Amy Ellis from Amy’s Creative Side describes the modern category of the the Blogger’s Quilt Festival as “Modern to you is modern to me”
So its kind of a loose definition that we work with.  What makes OMG quilts different to most modern quilts?  There is no piecing, applique is the method of choice.  There are set sizes to work with and you can submit your quilt for critiquing.  Once accepted the quilt is given an OMG number and entered into the OMG hall of fame.  It is a brilliant way to see how the group evolves over time and may even lead to an exhibition in the future.
Helen Godden OMG
Image used with the kind permission of Helen Godden.  source: Facebook
The OMG group was founded by Helen Godden, Michelle Pearson and Suzanne Hyland.  The idea for the group came from a conversation had during a HandiQuilter Academy in Utah in 2013 where Helen questioned the use of piecing so prevalent in Modern Quilts and wondered why they couldn’t be more organic.
Helen Godden OMG6
Image used with the kind permission of Helen Godden.  source: Facebook

Influenced by artists such as Rex Ray, Joan Miro, Henri Matisse and Henry Moore amongst others the OMG quilts feature free form fluid shapes often taking inspiration from nature.  They use organic shapes in a graphic way and avoid pictorial or realistic effects and straight lines typically found in pieced quilts.  Use of pattern to draw attention and combining shapes and colour with quilting, gives an abstract style of quilts, that can cross over from functional quilts favoured by the Modern Quilt Guild to non-functional Art quilts.
Helen Godden OMG7
Image used with the kind permission of Helen Godden.  source: Facebook
The Rex Ray (paper artist and collage) influence is seen in the sizes chosen by the group.  Rex Ray was German born and so the smallest 5” x 7” size is called Kleine (small) and the largest 40” x 60” Ueber (meaning over sized and chosen for 40” usable width of fabric).  The sizes chosen prefer the 3:4 ratio of standard paper but square is also accepted. 

The sizing is strict allowing 1/2” to 1” tolerance on the finished quilt.  The difference between sizes allowed is twice that of the previous to allow for a good collective display when exhibited. Creatively speaking adding a little constraint can be a good thing,  getting the mind working hard to be creative in developing a design!
Helen Godden OMG1
Image used with the kind permission of Helen Godden.  source: Facebook
Helen Godden OMG2
Image used with the kind permission of Helen Godden.  source: Facebook

The other aspect about OMG quilts that I think is really interesting is the concept of Parent and Child designs.   A child design is made from leftovers, scrap fabric or the same set of fabrics as the parent design.  Sounds like a fun challenge to me!

If you want to see more and perhaps submit a quilt for critique (to do write a Facebook update on the group page with OMG! OMG! OMG!) the group page can be found here.  Go take and look and see what wonderful organic modern quilts are being made!